My strange obsession with pianos !
I was always curious about pianos. Mr Ludwig was our music
teacher and he was the main person responsible for my love
in this particular instrument. I could still remember his reddish
face with big eyes. His lips - always holding a pipe or a cigarette.
Later (being business minded) the idea somehow came to me
that I should try my hand in pianos-I mean to manufacture and
market it.
Later (being business minded) the idea somehow came to me
that I should try my hand in pianos-I mean to manufacture and
market it.
But my hope soon started fading as I was about to know about
the manufacturing of the said musical instrument ! Little did I
knew that there was a lot of confusion awaiting me. Little by
little I came to know that pianos were not manufactured in
India by that time. I heard a lot of stories about men who tried
but failed. My 10 years old daughter Surela used to take her
piano lessons from a local teacher named Samar Dutta. He
was attached with the renowned Calcutta School Of Music where
Roshan Chowana was the principal. Mr Dutta used to organize
concerts at his home where my daughter received her first
certificate in piano from the hand of Roshan Chowana.
However knowing about my intention Mr Dutta gave me the
the information that Mr Russi Mody (then the Chairman and
Managing Director of Tata Steel) tried his hand but failed.
Mr Russi Mody himself was an excellent pianist. I was a bit
discouraged but thought of meeting Leela Devi ( mother of
film artist Madhabi Mukherjee ) who gave regular lessons in
piano to students. She too however gave the impression that
it was not possible to produce it in India. She went to the extent
of relating about a series of coincidences required for producing
a piano in our country. It must be a moonless night-it must be
raining heavily-there must be a skull in the burning ghat-there
must be a hungry snake-there must be a frog -the frog must try
to save itself from the snake-iit must jump into one of the hollow
eyes of the skull-tthe snake must find it and finally kill it etc etc.
This was too much for me to digest.
In the meantime I have already visited nearly every shops in
Calcutta for some clue. One of the shop owners, after searching
for a while, handed me a paper/brochure. There was a picture
of a mini piano. It was given to the owner by a man who claimed
to have achieved what I was looking for. Immediately I took the
address and went looking for it. Finally I found a soap making
cottage industry near Maniktolla. The owner of the work shop
was the man I was looking for. After hearing me out the man
suddenly became very sentimental . He gave me the impression
that he was long waiting for me. He related in details about his
venture in making a piano. The wooden structure where pegs
(to tie the strings) are planted was the first problem he faced.
Later he came to know that the wood was no ordinary wood. It
should be sufficiently strong to hold the numerous pegs. Not
only that but it should be able to maintain the pegs while they
are repeatedly turned on or loosened while tuning. Such wood
could only be found from a particular kind of tree grown in
Germany-he informed. The man like any other creative man
even tried to collect seeds of such tree and plant them in the
small garden he had. But all his efforts failed since the plant
dried up-probably the Indian weather was unsuitable- he
presumed. He tried several other methods but the results brought
the same failure. Later he showed me his final achievement-the
picture of which was in the brochure. Instead of using piano
strings he followed the method applied in a xylophone - just to
maintain the fluctuations of tunes. I appreciated his endeavor
and patience and left -my head full of thoughts.
(To continue )
the manufacturing of the said musical instrument ! Little did I
knew that there was a lot of confusion awaiting me. Little by
little I came to know that pianos were not manufactured in
India by that time. I heard a lot of stories about men who tried
but failed. My 10 years old daughter Surela used to take her
piano lessons from a local teacher named Samar Dutta. He
was attached with the renowned Calcutta School Of Music where
Roshan Chowana was the principal. Mr Dutta used to organize
concerts at his home where my daughter received her first
certificate in piano from the hand of Roshan Chowana.
However knowing about my intention Mr Dutta gave me the
the information that Mr Russi Mody (then the Chairman and
Managing Director of Tata Steel) tried his hand but failed.
Mr Russi Mody himself was an excellent pianist. I was a bit
discouraged but thought of meeting Leela Devi ( mother of
film artist Madhabi Mukherjee ) who gave regular lessons in
piano to students. She too however gave the impression that
it was not possible to produce it in India. She went to the extent
of relating about a series of coincidences required for producing
a piano in our country. It must be a moonless night-it must be
raining heavily-there must be a skull in the burning ghat-there
must be a hungry snake-there must be a frog -the frog must try
to save itself from the snake-iit must jump into one of the hollow
eyes of the skull-tthe snake must find it and finally kill it etc etc.
This was too much for me to digest.
In the meantime I have already visited nearly every shops in
Calcutta for some clue. One of the shop owners, after searching
for a while, handed me a paper/brochure. There was a picture
of a mini piano. It was given to the owner by a man who claimed
to have achieved what I was looking for. Immediately I took the
address and went looking for it. Finally I found a soap making
cottage industry near Maniktolla. The owner of the work shop
was the man I was looking for. After hearing me out the man
suddenly became very sentimental . He gave me the impression
that he was long waiting for me. He related in details about his
venture in making a piano. The wooden structure where pegs
(to tie the strings) are planted was the first problem he faced.
Later he came to know that the wood was no ordinary wood. It
should be sufficiently strong to hold the numerous pegs. Not
only that but it should be able to maintain the pegs while they
are repeatedly turned on or loosened while tuning. Such wood
could only be found from a particular kind of tree grown in
Germany-he informed. The man like any other creative man
even tried to collect seeds of such tree and plant them in the
small garden he had. But all his efforts failed since the plant
dried up-probably the Indian weather was unsuitable- he
presumed. He tried several other methods but the results brought
the same failure. Later he showed me his final achievement-the
picture of which was in the brochure. Instead of using piano
strings he followed the method applied in a xylophone - just to
maintain the fluctuations of tunes. I appreciated his endeavor
and patience and left -my head full of thoughts.
(To continue )
I am pratanu Banerjee I learnt piano from Samar Dutt in 2013 ..... He was great
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